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1. #Screenplays wanted by producers 2017 how to#
2. #Screenplays wanted by producers 2017 movie#
3. #Screenplays wanted by producers 2017 full#
4. #Screenplays wanted by producers 2017 professional#
5. #Screenplays wanted by producers 2017 tv#

#Screenplays wanted by producers 2017 tv#

remake, best-selling book, comic book, TV show, web series, short film)

And if there is a sequel or spin-off potential in your project, that can warm the cockles of a screenwriting agent’s heart. Top agents LOVE to hear that you have multiple projects in the same genre (rather than having scripts in a bunch of different genres). This way they can capitalize and very likely sell your second script for more than they sold your first script – provided the scripts are in the same genre. Screenplay agents know that the best time to make a sale is right after the first sale. Potential for additional sales embedded in project Unfortunately, there are only a handful of buyers who are able to finance big budget fare which makes the odds of selling that much more challenging. The lower the budget for the production, the more potential buyers there are for each script. Some screenplay agents give excellent notes and are skilled with script development, but most are not.

#Screenplays wanted by producers 2017 full#

They are not script whisperers who will take the time to patiently nurture your script to its full potential over a period of months.Īgents have short attention spans (like most people in Hollywood) and you want them to be able to capitalize on their enthusiasm right away.

#Screenplays wanted by producers 2017 how to#

If you’d like to see an example of how to develop a short pitch, here’s a case study outlining the nine steps to creating an effective short pitch for your screenplay.Ĭontroversial as this may sound, from a screenplay agent’s perspective, the best script is one where the agent doesn’t even need to read it.Īfter simply hearing the short pitch and reading coverage provided by someone the agent trusts, if the storyline is clear and easily understood, the agent can sell your script. Typically this is a “selling” logline of your project that communicates the main idea. Your short pitch is 1-3 sentences that encapsulates the main idea clearly and concisely. Provided your pitch is compelling, the shorter your pitch is (from an agent’s POV) the better. Not a “super, short pitch,” but a “super short” pitch. I have never heard a decision-maker say, “I’m looking for a film that’s a blend of several different genres.” When reading a script, a screenplay agent’s question about genre is, “Will this meet the audience’s expectations for this genre?” They need to keep up with what companies are looking for within specific genres to find matches with their client projects. Screenplay agents are constantly researching and questioning executives and producers. Otherwise they may be thinking, “Sure, my role would be great, but who would they cast opposite me and could that person be so amazing that I might be overshadowed?”

#Screenplays wanted by producers 2017 movie#

A movie star should be thinking, “This is MY project.”

Once you prove that you can do this, you earn the right to do other things.Īgain, not TWO great roles, but ONE great role.

#Screenplays wanted by producers 2017 professional#

ONE terrific role for a movie star (“actor bait”)Įverything you write doesn’t need to be a high-concept star vehicle, but it’s one of the “tickets” to join the club of professional screenwriters. So if you want to know how to get a screenwriting agent, consider these seven factors: 7 Things Screenplay Agents Really Want This article is for those who have or hope to have agency representation in the future. Having a screenplay agent is not required for every situation and many script sales are made without any agent involvement. So, when an agent reads a script for the first time, they think: “How am I going to sell this?” The way in which screenplay agents answer that question may influence your choices when you decide how to write your screenplay. In the same way stockbrokers buy and sell stock and are paid on commission, screenplay agents broker transactions between buyers and sellers and are paid only when the deals go through. Screenplay Agents Are Brokersįirst, let’s make sure we’re on the same page about this: all screenplay agents are brokers. They are looking for 7 things that make your screenplays especially sellable for large sums of money. However, screenplay agents aren’t just looking for great writers with great material. Screenplay agents are brokers who negotiate deals between screenwriters and the people who buy screenplays such as producers, studio executives and financiers.